Devyn and Maddy
Saturday, February 5, 2011; 11am; Rexburg, Idaho
f/4; 1/800; Canon EOS T2i; 70-200mm f/4L@70mm
Devyn
Saturday, February 5, 2011; 11am; Rexburg, Idaho
f/4; 1/800; Canon EOS T2i; 70-200mm f/4L@131mm
Maddy
Saturday, February 5, 2011; 11am; Rexburg, Idaho
f/4; 1/1000; Canon EOS T2i; 70-200mm f/4L@200mm
Megan
Friday, February 4, 2011; 4pm; Rexburg, Idaho
f/4; 1/160; Canon EOS T2i; 70-200mm f/4L@122mm
Megan #2
Friday, February 4, 2011; 4pm; Rexburg, Idaho
f/4; 1/160; Canon EOS T2i; 70-200mm f/4L@200mm
Megan #3
Friday, February 4, 2011; 4pm; Rexburg, Idaho
f/4; 1/160; Canon EOS T2i; 70-200mm f/4L@70mm
Megan #4
Friday, February 4, 2011; 4pm; Rexburg, Idaho
f/4; 1/160; Canon EOS T2i; 70-200mm f/4L@118mm
Kirsten
Friday, February 4, 2011; 1pm; Rexburg, Idaho
f/4; 1/800; Canon EOS T2i; 70-200mm f/4L@200mm
Cydney #2
Friday, February 4, 2011; 1pm; Rexburg, Idaho
f/4; 1/800; Canon EOS T2i; 70-200mm f/4L@200mm
Cydney and Kirsten
Friday, February 4, 2011; 1pm; Rexburg, Idaho
f/4; 1/800; Canon EOS T2i; 70-200mm f/4L@200mm
Cydney #3
Friday, February 4, 2011; 1pm; Rexburg, Idaho
f/4; 1/800; Canon EOS T2i; 70-200mm f/4L@163mm
Environmental Portraits
The Surrender
Friday, February 5, 2011; 9am; Rexburg, Idaho
f/4; 1/800; Canon EOS T2i; 70-200mm f/4L@70mm
Captain
Friday, February 5, 2011; 10am; Rexburg, Idaho
f/2; 1/200; Canon EOS T2i; 100mm f/2
Dead?
Friday, February 5, 2011; 9am; Rexburg, Idaho
f/4; 1/800; Canon EOS T2i; 70-200mm f/4L@70mm
DJ FM
January 19, 2011; 9pm; Rexburg, Idaho
f/2.0; 1/160; Canon EOS T2i; 50mm f/1.2L
Promo Shoot / Jib
January 19, 2011; 9pm; Rexburg, Idaho
f/2.0; 1/160; Canon EOS T2i; 50mm f/1.2L
Cassette Optics x DJ FM
January 19, 2011; 10pm; Rexburg, Idaho
f/1.2; 1/400; Canon EOS T2i; 50mm f/1.2L
DJ FM
January 19, 2011; 9pm; Rexburg, Idaho
f/2.0; 1/160; Canon EOS T2i; 50mm f/1.2L
Promo Shoot / Jib
January 19, 2011; 9pm; Rexburg, Idaho
f/2.0; 1/160; Canon EOS T2i; 50mm f/1.2L
Cassette Optics x DJ FM
January 19, 2011; 10pm; Rexburg, Idaho
f/1.2; 1/400; Canon EOS T2i; 50mm f/1.2L
I adjusted each of these images in camera raw to bring out the blacks, increase the contrast, lighten faces and eyes and lightly adjust the color. I shot wide open to get the best bokeh - and in many cases I zoomed to increase the effect and fill the frame with the subject. I also added a light vignette on most of the images to make the subjects stand out.


















































